Origami Cupcake

The Origami Cupcake Tutorial: Part 2 Linework

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In my previous post I gave an overview of the entire illustration process. This post covers Step 1: Creating your linework.

How do you turn a messy sketch into a finished artwork? For me the key is using reference images and working my way slowly from rough drawings to a really neatly inked drawing.

Working in such a methodical way takes time, but drawing the linework is by far the most important stage of creating your artwork. I’m building the image up in layers, and this is my foundation. It wastes a huge amount of time if you try to make changes to the image once it’s been colored, I so tend to go slowly and be extra critical of myself.

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The Origami Cupcake Tutorial: Part 1 Structuring your Image

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For a while now I’ve been posting updates on my works in progress, explaining a bit about how these works come into being. But these posts were never intended as a proper tutorial… until now.

This is the definitive tutorial to making anime/comic styled artworks in Adobe Illustrator using my own method.

But before I begin with the hard stuff, let’s get an overview of the way I work and the way I structure my layers.

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Doll: Coloring in Progress

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Edit: This work has been completed.
Follow each step in the  making of this work:  Linework ColoringShading and Highlights and Extra Details and Final Atmospheric Shading.

After you’ve got you linework picture perfect you can begin coloring. While this might sound difficult I make it easy by dividing the task into different steps. These steps correlate to separate layers in your image (this is a simplification; each layer is actually a group of multiple layers).

The basic process I work by is:

  1. Create your linework.
  2. Create a layer for the base color; this is the local color, or actual color of an object.
  3. Create a layer for shadows, depending on the lighting you will probably want another layer for very dark shadows as well.
  4. Create a layer for highlights.
  5. Create a layer for lighting and atmospheric effects. Finish off your image by tweaking colors, layer opacity etc until you’re satisfied.

Everything after Step 1 can be considered “coloring”, depending on how you define it, since each of those steps individually don’t really produce anything. It’s only when you see all the layers on top of each other that you get that magical ‘Tada!” moment when you see the full effect.

So let’s get started on Step 2.

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Doll: Linework in Progress

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Edit: This work has been completed.
Follow each step in the  making of this work:  Linework ColoringShading and Highlights and Extra Details and Final Atmospheric Shading.

I’ve been working a bit slowly because I’ve been sick. But now I’m back on track with some updates.

This is a quick step by step breakdown of how I draw my linework using Adobe Illustrator.

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Website Updates

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With the new year I thought it’s time to update a few things.

In addition to my art, I’ve also been doing more design work lately. Doing things I’m not used to really challenges me, so I enjoy it a lot. While my art education revolved around traditional media, I’ve never been intimidated by computers. Since then I’ve learnt new skills, but it’s built on the strong base of drawing. Check out my Design Portfolio to sample some of my work.

In addition to my Design Portfolio, I’ve added new PDFs for download to my  curriculum vitae and artist’s statement:

Curriculum Vitae
Design Portfolio
Art Brochure

Exhibition Mock-ups

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I often wonder if visitors to this site notice that my works are “vector works, designed to be printed on a large scale”. In any case it’s hard to imagine the impact these images would have at that scale, when you’re looking at your monitor at home. That’s why I did some exhibition mock-ups for my Artist’s Statement. Hopefully I’ll be able to turn this into reality sometime soon ^^

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Happy New Year 2012!

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Happy New Year for 2012! For me this year was about getting settled here in Macedonia, and getting used to a new routine.

After university I felt really overwhelmed, I wondered if I would ever have the commitment to work with the same dedication as I had for that final frantic year. It also showed me the importance of having balance in life, and hopefully I’ll never burn myself out like that again. Since then I had to slowly build up my confidence, learn new skills and really think about what I wanted. By the end of last year, I had finally regained my confidence, but what follows is a matter of hard work.

While I wasn’t able to accomplish every goal I set myself, I was able to prove to myself that I could work independently as an artist, full-time. At the end of the year, it’s time for me to think again about what I want from life, and set new challenges for myself. I hope all of you find the confidence to believe in yourself and strive towards your own goals.

Have a great year!

 

Happy Holidays

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Here’s some sweet cat love for Christmas from Pusheen the cat. I hope you all get to enjoy the activities above, especially getting to spending time with you family. Wishing you all the best for Christmas.

New Artwork: Siren

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New artwork in my portfolio.

“This work was inspired the Japanese folktales of ghosts (yūrei), and in particular those of vengeful spirits (onryō).
These ghosts are inevitably female, defined by their distinctive white kimono, and long tangled black hair.
Although originating in the Edo period, the “Japanese ghost” continues to remain a staple of popular culture. While contemporary horror such The Ring and The Grudge has helped to popularize the stereotype in the West.”

This work took about a month and a half to complete.

Here’s a short look at the of making this work: Siren: Linework in Progress, and  Siren: Coloring in Progress.

Any comments are welcome.